Included was:
*Music boxes
*Rubber tipped mallets
*Rulers
*A whisk
*Wooden spoons
*Bottle caps
Participants were invited to be creative and experiment and make their own compositions and soundscapes regardless of any previous musical experience or aptitude.
The installation was named Contact.
A huge thank you goes to Alain Guisan, without whom this would not have been possible.
see more photos here
Other amazing stuff included:
Hemisphere
Zak Norman
Another interacitve installation, Hemisphere used an EEG scanner (more commonly used in hospitals) which scans your brain frequencies and converts in to data that can automate parameters of a prefabricated musical composition as wells syncronize with visuals.
Different levels of thinking (concentration, logic, memory, emotion and facial expression) resonate at different frequencies which are picked up by the EEG consequently changing different aspects of the music and visuals.
The creator, Zak Norman, and his screens.
TEEJ
Tom Marshall
A live improvised performance with electric guitar, drums, keyboards and live looping using Ableton Live, all of it was played against a giant backdrop of audio responsive visuals. It was amazing, check his blog here.
Duffular
Dan Duff
A touch screen granular sampler. Users can select from a bank of samples and set loop points whilst effecting them with, filters, reverb, delay, pitchshifting and distortion. Generates beautiful soundscapes reminiscent of Tim Hecker.
The Listening Tree
Adam Ward
A walk-in environment consisting of a simulated tree surrounded by fake leaves, lights that look like fruits and real bark on the floor. There were eight speakers hung around the room that played a montage of field recording soundscapes, moving from a rainforest to the sea and into the busy urban sounds of Brighton's center. People could enter the space and sit on the bench provided to hear the 10 minute piece. This was one of my favourites.
Sadly, Dan was not part of the installation.
Lo-Fi Hi-Fi
Max Hart
Another notable piece was the work of Max Hart who studied Performance and Visual Art which was exhibited just down the hall from our room. Three perspex tubes were mounted on to three upward facing motor fans, each housed a steel rod that guided a vinyl up toward a tonearm needle, dismantled from an ordinary record player. The fans were automated by programme normally used for a lighting rig, they would push the vinyls to the top of tubes and cause them to spin against the needle which was played out through a loudspeaker. It looked and sounded genius-insane.
